Yu Jen-chih experiments with various painting and printmaking techniques and has participated in two solo exhibitions in his hometown. From 2008 to 2014, he participated in several group exhibitions in Bahrain, Colombia (Bogota), Ukraine (Dnipropetrovsk Municipal Museum), as well as in galleries and cultural spaces in France (Paris, Dinard, Brest, Quimper), Italy (Avellino), Georgia (Georgian National Music Center, Tbilisi), and Argentina (MACLA, La Plata).

In 2014, Yu Jen-chih presented his works in a solo exhibition at the Red Zone Arts gallery in Geneva and again in 2019 at Red Zone Arts in Frankfurt am Main. In 2017, the Kwang-Hua Information & Culture Center in Hong Kong dedicated a retrospective of his printmaking entitled “Between Titans and Giants.”

In 2018, Yu Jen-chih created a 720 cm x 122 cm woodcut for his solo exhibition at Moyens du Bord, the art center of the Manufacture des Tabacs in Morlaix. Since 2020, the Alisan Fine Arts gallery (Hong Kong) has represented him in Hong Kong and at international art fairs. In the fall of 2023, his large-format works will be featured in an exhibition, “Torment and Ecstasy,” at the Maison de l’Erdre, organized by the City of Nantes – Nantes Métropole.

Yu Jen-chih has also co-authored several bibliophile books, including Ce qui me fait signe (with Michel Bohbot) and Mesures Démesures (with Werner Lambersy, CMJN éditions).

Yu Jen-chih is also the author of literary files in direct collaboration with Milan Kundera, Carlos Fuentes, Fernando Arrabal and Massimo Rizzante, and of written portraits of artists such as Mikhaïl Kobakhidzé, Amos Gitai, Patricia Erbelding, Tony Soulié, Bertrand Menguy and Zhu Xiao-mei.