{"id":6180,"date":"2025-03-01T16:20:06","date_gmt":"2025-03-01T15:20:06","guid":{"rendered":"https:\/\/galerierobetdantec.com\/artistes\/gisele-bonin\/"},"modified":"2025-07-31T19:02:20","modified_gmt":"2025-07-31T17:02:20","slug":"gisele-bonin","status":"publish","type":"page","link":"https:\/\/galerierobetdantec.com\/en\/artistes\/gisele-bonin\/","title":{"rendered":"gis\u00e8le bonin"},"content":{"rendered":"

[vc_row][vc_column width=”1\/2″][vc_single_image image=”5439″ img_size=”full” alignment=”center” onclick=”zoom” css_animation=”zoomIn”][vc_empty_space][vc_custom_heading source=”post_title” use_theme_fonts=”yes”][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1562103889852{border-left-width: 1px !important;border-left-color: #e3afa7 !important;border-left-style: solid !important;}”][vc_column_text css=”.vc_custom_1753981257010{padding-left: 30px !important;}”]A graduate of the Angers School of Fine Arts in 2005, after completing a Master’s degree in comparative literature and studying classical guitar at the Clermont-Ferrand Regional Conservatory, Gis\u00e8le Bonin developed a drawing style that revisits the genre of anatomy while exploring the contemporary uses of traditional techniques such as sanguine, graphite pencil and charcoal. She regularly exhibits in private and public art centres as well as galleries. Her work is featured in numerous public (museums, art libraries and contemporary art collections) and private collections. It has been critically reviewed by artists and art critics such as Julie Creen, Philippe Piguet, Francis Lim\u00e9rat and Anne Kerner. She has also collaborated with writers such as Michel Butor, Eric Pessan and Marie Chartres.<\/p>\n

Winner of a residency in South Africa in 2024, she will spend the summer of 2025 in Brussels, at the Abbaye de La Cambre, at the invitation of the South African Foundation for Contemporary Art (SAFCA).[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”30px”][\/vc_column][\/vc_row][vc_row bg_type=”bg_color” bg_color_value=”#f2f2f2″ css=”.vc_custom_1563722577019{padding-top: 30px !important;}”][vc_column][vc_column_text]<\/p>\n

Artworks avalaible<\/h2>\n

[\/vc_column_text][vc_empty_space height=”30px”][vc_basic_grid post_type=”royal_portfolio” max_items=”-1″ item=”masonryGrid_SlideFromLeft” grid_id=”vc_gid:1753981220483-54e6a1509130308311ed48e3b5d70fb4-0″ taxonomies=”130″][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row][vc_column][vc_tta_tabs style=”modern” shape=”square” spacing=”5″ active_section=”1″][vc_tta_section title=”solo shows” tab_id=”1559740892983-68397675-89f3″][vc_column_text]<\/p>\n

2024
\n<\/span>Galerie Alexandre, Bernay.\u00a0<\/span><\/p>\n

2022
\n<\/span>Galerie Catherine Robet, Belfort (avec Haleh Zahedi)\u00a0<\/span><\/p>\n

2021
\n<\/span>Galerie L\u2019Openbach, Paris (avec C\u00e9cile Benoiton)
\n<\/span>Confusions – AMAP de Saint-Malo\u00a0<\/span><\/p>\n

2020
\n<\/span>Galerie-librairie La Folie en t\u00eate, La R\u00e9ole\u00a0<\/span><\/p>\n

2019
\n<\/span>Intimacies, Galerie Mayeur Projects, Las Vegas New Mexico, USA
\n<\/span>Galerie LTK, Angers\u00a0<\/span><\/p>\n

2017
\n<\/span>Gis\u00e8le BONIN, la question du mod\u00e8le, Le Logis du Roy, Amiens (Intervention personnelle pendant le colloque \u00ab L’id\u00e9e de personnage \u00bb \u2013 Journ\u00e9es Masteriales Transversales)\u00a0<\/span><\/p>\n

2016
\n<\/span>Part ailleurs, Galerie Racine, Coll\u00e8ge Jean Racine, Alen\u00e7on
\n<\/span>Collection \u2013 2, Centre d’art 2Angles, Flers
\n<\/span>Collection \u2013 1, Galerie Rapinel, Bazouges-La-P\u00e9rouse (Le Village)
\n<\/span>Empreintes, traces et signes : suite au colloque \u00e0 l’UFR d’Amiens (artiste invit\u00e9e)\u00a0<\/span><\/p>\n

2014
\n<\/span>Lombes \u2013 Mus\u00e9e Jules Desbois, Par\u00e7ay les Pins
\n<\/span>Panorama \u2013 art actuel (projet DRAC Basse Normandie) \u2013 Coll\u00e8ge de Troarn et Lyc\u00e9e Jean Gu\u00e9henno de Flers.\u00a0<\/span><\/p>\n

2013
\n<\/span>EntreOuvert – Mus\u00e9e des Beaux-Arts d’Angers \u2013 Cabinet d’Arts Graphiques
\n<\/span>Distorsions – Galerie de l’ESPE de Vannes
\n<\/span>EntreOuvert – Mus\u00e9e des Beaux-Arts d’Angers \u2013 Cabinet d’Arts Graphiques
\n<\/span>EntreOuvert I – \u00abLe 38 rue Sorbier \u00bb, Paris
\n<\/span>EntreOuvert II – Artoth\u00e8que d’Hennebont, Galerie Pierre Tal Coat
\n<\/span>EntreOuvert III – Maison Gueffier, Sc\u00e8ne Nationale du Grand R, La Roche sur Yon
\n<\/span>Gis\u00e8le Bonin \/ Christine Matieu – Centre d’Art Contemporain Aponia, Villiers-sur-Marne\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”group shows” tab_id=”1566508529710-738885ec-a711″][vc_column_text]<\/p>\n

2025
\n<\/span>Incarnation(s) – Printemps du dessin, AMAP de Saint-Malo – Commissariat Anne-C\u00e9cile Tr\u00e9glos
\n<\/span>Sous la main, le monde – Avec Bruno Gadenne et Chlo\u00e9 Silbano – Galerie Robet Dantec, Nantes\u00a0<\/span><\/p>\n

2024
\n<\/span>Salon de printemps, SAFFCA EU – Bruxelles, La Cambre\u00a0<\/span><\/p>\n

2023
\n<\/span>Perceptions (\u00e0 venir) – Mus\u00e9es \/ artoth\u00e8que d\u2019Angers\u00a0<\/span><\/p>\n

2022
\n<\/span>\u00catre chair – Galerie Fran\u00e7oise Besson, Lyon (avec Blanche Berthelier et Olivier Ficher – mars 2022)
\n<\/span>Plis et Replis, Aponia (Eglise Saint-Jean), Monastier sur Gazeille – Avec Armel Jullien et J\u00e9r\u00e9my Faivre – Commissariat Eva et Alain Barret, Aponia (f\u00e9vrier 2022)\u00a0<\/span><\/p>\n

2021
\n<\/span>Se souvenir d\u2019un autre espace, Galerie Hors-Champs, Paris – Commissariat Hannibal Volkoff\u00a0<\/span><\/p>\n

2018
\n<\/span>Galerie Le Phare Bor\u00e9al, Les Sables d’Olonne
\n<\/span>Suites r\u00e9sidentielle – Artoth\u00e8que de Caen – Commissariat Claire tangy et J\u00e9r\u00f4me Letinturier
\n<\/span>Vente aux ench\u00e8res Artcurial le 19 juin (au profit de Art For Autism)
\n<\/span>Dessins contemporains, Galerie LTK, Angers
\n<\/span>Anatomies, Mus\u00e9e Atger et Galerie N5, Montpellier
\n<\/span>Welcome Home \u2013 Galerie RDV, Nantes\u00a0<\/span><\/p>\n

2016
\n<\/span>Dialogues dessin\u00e9s – Galerie M\u00e9lanie Rio, Paris\u00a0<\/span><\/p>\n

2015
\n<\/span>Prix Arts \u00e0 la Pointe, Audierne
\n<\/span>Checkpoint – Chapelle de Boondael, Bruxelles\u00a0<\/span><\/p>\n

2014
\n<\/span>La Petite Collection – Espace CO2, Galerie WhiteProject, Paris
\n<\/span>Carte blanche \u00e0 l’artoth\u00e8que – Mus\u00e9e des Beaux-Arts d’Angers
\n<\/span>70 combats pour la libert\u00e9 – Le Radar, Bayeux
\n<\/span>Pi\u00e8ce(s) \u00e0 conviction \u2013 Ch\u00e2teau de la Fresnaye, Falaise
\n<\/span>Acquisitions \u2013 Artoth\u00e8que d’Henebont
\n<\/span>M\u00e9moires d\u2019\u00c9l\u00e9phants – L’atelier, Nantes
\n<\/span>Le peuple veut – ESAM Caen, Centre du graphisme D\u2019\u00c9chirolles
\n<\/span>Collectif? – Centre d’art de Montrelais (avec C\u00e9cile Benoiton et Fran\u00e7ois Brunet)\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Bibliography et commandes” tab_id=”1654001363711-43ab4c10-f286″][vc_column_text]<\/p>\n

2017
\n<\/span>Commande de 5 lithographies, collection priv\u00e9e Cristalis \/ L’Odeur de l’Encre, Nantes (avec Le Petit Jaunais, 2014: \u00ab Gis\u00e8le BONIN, une esth\u00e9tique du toucher \u00bb
\n<\/span>Article de Marie-H\u00e9l\u00e8ne Gauthier, dans la revue Alkemie (livret iconographique d’accompagnement)\u00a0<\/span><\/p>\n

2014
\n<\/span>Catalogue de l’exposition Lombes \u2013 Mus\u00e9e Jules Desbois (texte critique : Julie Crenn)
\n<\/span>Revue litt\u00e9raire Dissonances n\u00b025, mise en image monographique\u00a0<\/span><\/p>\n

2013
\n<\/span>Catalogue de l’exposition EntreOuvert \u2013 Mus\u00e9e des Beaux-arts d’Angers (textes critiques: Philippe Piguet et Christine Besson \u2013 Cr\u00e9ations litt\u00e9raires : Jean-No\u00ebl Blanc, Christian Garcin, Denis Lachaud, Isabelle Mini\u00e8re, Eric Pessan, Jacques Serena, Carole Zalberg)\u00a0<\/span><\/p>\n

2013\/2011
\n<\/span>En attendant, Michel Butor, Gis\u00e8le Bonin \u2013 Po\u00e8me in\u00e9dit et dessins \u2013 \u00c9ditions L’instant Perp\u00e9tuel
\n<\/span>Le Dit du mineur, Michel Butor, Gis\u00e8le Bonin \u2013 Po\u00e8me in\u00e9dit et dessins \u2013 \u00c9ditions L\u2019instant Perp\u00e9tuel\u00a0<\/span><\/p>\n

2011
\n<\/span>Gis\u00e8le Bonin \/ Christine Mathieu, Centre d’Art Contemporain de Villiers sur Marne, Catalogue d’exposition, 2011 (texte Alain Bouaziz)
\n<\/span>Int\u00e9rieur vu de dos: Gis\u00e8le Bonin \u2013 Isabelle L\u00e9v\u00e9nez, Catalogue d’exposition (texte Anne Kerner)
\n<\/span>Le peuple veut (catalogue de l’exposition collective), Thotm-\u00e9ditions,
\n<\/span>Rencontres, Carnet de voyage (Gis\u00e8le Bonin et St\u00e9phanie Wamytan) : commande \u2013 Entreprise Cristalis
\n<\/span>Cette b\u00eate que tu as sur la peau – avec Marie Chartres, romanci\u00e8re\u2013 \u00c9ditions du Chemin de Fer\u00a0<\/span><\/p>\n

2008
\n<\/span>Petits Dess(e)ins entre nous \u2013 DEC Nantes\u00a0<\/span>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”collections” tab_id=”1654001764184-d1a9d200-ba23″][vc_column_text]<\/p>\n

Collection d\u2019art contemporain – ville de Gentilly\u00a0<\/span><\/p>\n

Collection Centre d\u2019art contemporain Aponia\u00a0<\/span><\/p>\n

Ecole d\u2019Arts Plastiques de Saint-Malo\u00a0<\/span><\/p>\n

Mus\u00e9es \/artoth\u00e8que d’Angers\u00a0<\/span><\/p>\n

Le Radar, Bayeux\u00a0<\/span><\/p>\n

Artoth\u00e8que de la Roche-sur-Yon\u00a0<\/span><\/p>\n

Artoth\u00e8que d’Hennebont\u00a0<\/span><\/p>\n

Fondation d’entreprise Cristalis\u00a0<\/span><\/p>\n

Galerie artoth\u00e8que 2angles Flers\u00a0<\/span><\/p>\n

[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/2″][vc_single_image image=”5439″ img_size=”full” alignment=”center” onclick=”zoom” css_animation=”zoomIn”][vc_empty_space][vc_custom_heading source=”post_title” use_theme_fonts=”yes”][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1562103889852{border-left-width: 1px !important;border-left-color: #e3afa7 !important;border-left-style: solid !important;}”][vc_column_text css=”.vc_custom_1753981257010{padding-left: 30px !important;}”]A graduate of the Angers School of Fine Arts in 2005, after completing a Master’s degree in comparative literature and studying classical guitar at the Clermont-Ferrand Regional Conservatory, Gis\u00e8le Bonin developed a drawing style that revisits […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1154,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/galerierobetdantec.com\/en\/wp-json\/wp\/v2\/pages\/6180"}],"collection":[{"href":"https:\/\/galerierobetdantec.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/galerierobetdantec.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/galerierobetdantec.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/galerierobetdantec.com\/en\/wp-json\/wp\/v2\/comments?post=6180"}],"version-history":[{"count":3,"href":"https:\/\/galerierobetdantec.com\/en\/wp-json\/wp\/v2\/pages\/6180\/revisions"}],"predecessor-version":[{"id":6212,"href":"https:\/\/galerierobetdantec.com\/en\/wp-json\/wp\/v2\/pages\/6180\/revisions\/6212"}],"up":[{"embeddable":true,"href":"https:\/\/galerierobetdantec.com\/en\/wp-json\/wp\/v2\/pages\/1154"}],"wp:attachment":[{"href":"https:\/\/galerierobetdantec.com\/en\/wp-json\/wp\/v2\/media?parent=6180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}